Sabha Aminikia, Composer & Improviser
Photography by Pinar Demiral

Sahba Aminkia
2023 - 2024 CHORUS SCHOOL COMPOSER-IN-RESIDENCE

Sahba Aminikia is an independent composer and educator who believes in music to be a catalyst for change. Born in post-revolutionary wartime in Iran, Aminikia was raised during a newly configured democracy that evolved from mass-executions, war, and violence into a society that—through the use of internet and technology—challenges the current political and social infrastructure. Highly influenced by the poetry of Hafiz, Rumi, and Saadi, as well as traditional, classical and jazz music and the albums of Pink Floyd, Beatles, and Queen, Aminikia cites music to be an immersive, transcendent, yet visceral human experience. He is curious about the duality in existence, and musically explores subjects that confront the pursuit of enlightenment amid darkness.  A conscientious soul, due to his upbringing, he attempts at finding a common understanding for communication and dialogue through music. And, as a result, throughout his career, he has composed pieces that express the inevitability and triumph of hope.

Today, Aminikia collaborates with other artists to create and compose meaningful work. He has been trained in musical composition under Iranian pianists Nikan Milani, Safa Shahidi, and perhaps most influenced by work with his first classical teacher, Mehran Rouhani, a post-graduate of Royal Academy of Music and a former student of Sir Michael Tippet. He later relocated to Russia where he studied at the St. Petersburg State Conservatory under Boris Ivanovich Tishchenko—a post-graduate student of Dimitri Shostakovich. He received his Bachelor of Music and his Master of Music with honors from San Francisco Conservatory of Music under David Garner and David Conte where he was the proud recipient of Phyllis Wattis Foundation scholarship. He has also received individual lessons in life and in music from David Harrington, Aleksandra Vrebalov, Conrad Susa, Luciano Chessa, John Corigliano, and Oswaldo Golijov as well.

Recently, San Francisco Chronicle's has referred to Aminikia as “an artist singularly equipped to provide a soundtrack to these unsettling times.” His musical pieces have been widely performed in United States, Canada, Iran, United Arab Emirates, Brazil, Ecuador, France, Italy, Poland, China, Greece, Turkey and Israel and at venues such Kennedy Center for the Performing Arts, Le Poisson Rouge, Yerba Buena Center for the Arts, SF Exploratorium, SFJAZZ and Saint Anne's Warehouse. Aminikia’s compositions have been commissioned by theatre troops, contemporary classical ensembles, film scores, Persian traditional music groups as well as jazz bands including Kronos Quartet, Brooklyn Youth Chorus, Symphony Parnassus, San Francisco Conservatory of Music New Music Ensemble, Mobius Trio, Delphi Trio and Living Earth Show. His third string quartet, “A Threnody for Those Who Remain", commissioned by Yerba Buena Center for the Arts and Kronos Performing Arts Association, was described by Financial Times as “An experience not to be easily forgotten”. And similarly, his widely known “Tar o Pood” (Warp and Weft)—commissioned by Nasrin Marzban for Kronos Quartet—was the second-place recipient of the American Prize 2015 in composition, professional chamber music category. Aminikia has recently been the artist-in-residence at Kronos Festival 2017, an annual festival held by legendary Kronos Quartet at San Francisco SFJAZZ throughout which ten of his works including four new pieces were performed. His most recent piece for the same festival, was a collaboration between Kronos Quartet, San Francisco Girls Chorus and Afghanistan National Institute of Music which resulted in a 20-minute choral piece named "Music of Spheres".

Aminikia is also the Artistic Director for Flying Carpet Festival, a mobile music festival which serves children in need in war zones. He also serves as the Musical Director for Sirkhane, a non-profit organization based in Mardin, Southern Turkey which serves around 40,000 children through circus arts and music.

关于合唱学校作曲家居住计划

旧金山女子合唱学校作曲家居住计划让我们的年轻歌手有机会更多地了解创造新音乐的过程,并在较长时间内与一位活着的作曲家互动。在为期一年的居住期间,作曲家参观排练,与各级导演会面,并明确为合唱学校创作新作品,让每个团体都以自己的音乐水平参与,接触跨越广泛年龄的音乐思想。这个节目还鼓励一位才华横溢的专业作曲家考虑年轻女孩声音的巨大艺术潜力,寻找新的丰富多彩的方法,将这种独特的乐器带入旧金山湾区更广泛的音乐生活。

丽莎·比拉瓦
艺术总监

作曲家兼歌手丽莎·比拉瓦是2009年罗马音乐创作奖得主。比拉瓦出生于旧金山,是一个音乐家庭,他演奏小提琴和钢琴,唱歌,从小就写音乐。1990年,她从耶鲁大学获得文学文学学士两周后移居纽约,并成为纽约音乐生活的积极参与者。1992年,她开始与菲利普·格拉斯合唱团一起巡演,1997年,她共同创立了MATA音乐节,并担任该音乐节的艺术总监,直到2006年,她在纽约策划了一年一度的音乐节,庆祝来自世界各地的年轻作曲家。2006-09年,她还担任BMOP的常驻作曲家,领导演讲,建立合作伙伴关系,并创立了位于波士顿的作曲家集体Score Board。

作为一名合唱团和小合唱团的歌手,Bielawa 曾与著名的早期音乐团体 Pomerium 一起巡演和录制,在当时大多数主要指挥家的指挥下,在纽约爱乐乐团的专业合唱团中演唱,并与保罗·麦卡特尼合作,卡内基音乐厅作为一名独唱家,她曾在众多作曲家主导的项目中表演,包括约翰·佐恩的《与劳里·安德森和卢·里德》中的希尔·哈希里姆,以及托比·特温宁在加里森·基勒的《草原家伴侣》中的多次演出,以及她作为自1992年以来,与菲利普玻璃合唱团的歌手。

作为声乐团体的领袖,Bielawa是目前菲利普·格拉斯和罗伯特·威尔逊的《海滩上的爱因斯坦》巡回演出的合唱团团长。她协助保罗·西蒙发展他的百老汇音乐剧《开普曼》,包括准备歌手和儿童合唱团,她还指挥了加州大学圣地亚哥合唱团和室内歌手。

作为合唱音乐的作曲家,丽莎·比拉瓦是戴尔·沃兰全国比赛的获胜者,1998年莫顿·古尔德·ASCAP青年作曲家奖由旧金山女孩合唱团委托,授予她的作品《旋转火焰》。她2013年春季的演出包括纽约演出她的主要合唱作品《坎托里·纽约为城市而哀叹》,以及《再睡》的世界首演,为赫尔辛基的50语音学术男声合唱团演出,作曲家担任声乐独奏家。

在她自己的音乐中,丽莎·比拉瓦从文学来源和密切的艺术合作中汲取灵感。丽莎·比拉瓦的音乐经常在美国各地演出,在法国、意大利、英国和芬兰演出。最近的亮点包括特洛伊妇女表演在勒泊松鲁和居住约翰佐恩的石头,加上世界首演的超梅洛迪亚在河流学校音乐学院,朗多莱特由布鲁克林骑士和钢琴家布鲁斯·莱文斯顿,双二重奏华盛顿萨克斯四重奏,涂鸦德拉曼特与芝加哥商会音乐家,收集云在西雅图市政厅的项目由大提琴家约书亚·罗曼,双小提琴协奏曲和在媒体res由波士顿现代管弦乐团项目,右美国作曲家管弦乐团和钢琴家安德鲁·阿姆斯特朗在卡内基音乐厅的天气,林肯中心爱丽丝·塔利音乐厅的《爱与死亡的躺着》。

Bielawa 的作品《偶然相遇》是一部由歌曲和阿里亚斯组成的歌曲和阿里亚斯,由在瞬时公共空间偷听的演讲组成,由女高音苏珊·纳鲁基和骑士在曼哈顿下城塞沃德公园首演,后来在惠特尼酒店演出。博物馆,在温哥华,威尼斯,在罗马在泰伯河岸岸。Bielawa 在公共场所的最新演出作品是《机场广播》,这是为数百名音乐家的 60 分钟作品,于 2013 年 5 月在柏林前坦佩尔霍夫机场的停机坪上首演,2013 年 10 月在旧金山的 Crissy Field 首演。比拉瓦目前正在制作《维雷奥:女巫的控告者的精神传记》,这是一部由埃里克·埃恩创作、查尔斯·奥特执导的新歌剧,这是史无前例的,因为它被明确通过广播和在线进行偶发发行。媒体。

比拉瓦的最新专辑《爱的躺着》于2015年6月在Innova上发行。她的唱片还包括《世界之一》(扎迪克);光盘上的特洛伊木马妇女,标题为"第一次服用"(TROY);希尔德古尔斯:电奥多病毒(新星);迈阿密在NYFA收藏(Innova)上表演的特洛伊木马妇女;在媒体res(BMOP/声音),比拉瓦的独奏和管弦乐作品的双碟集;机会相遇(橙山音乐);和埃莱吉肖像钢琴家布鲁斯·莱文斯顿的2011年专辑,心影(索诺卢米努斯)。

lisabielawa.net

查找丽莎
推特@lisabielawa
&
Facebook。